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It's been high time for GUI BORATTO to endow us with another tasty slice of that enticing pop-infused techno of his: since the last Boratto-helmed offering TOO LATE (KOMPAKT 285) had conquered 2013's floors and beaches, we've seen the Brazilian mastermind occupying himself mainly with bringing his own label D.O.C. into position. Now, the Kompakt stalwart returns with TAKE CONTROL featuring Brazilian duo COME AND HELL, his first original material in 2014 and a perfect tune to ring in the summer.

Fitted with a glitzy array of top-tier remixes, TAKE CONTROL presents itself as a strong addition to GUI BORATTO's back catalogue, revelling in the kind of hook-driven pop techno that we love so much. Again dropping silky vocals on top of a well-oiled club machinery, the new track enlists the help of fellow Brazilians COME AND HELL and is an obvious contender for the pole position in this year's dj crates. A wealth of perfectly cast remixes rounds off the release, featuring intriguing takes on the sophisticated source material.

The first out the door are DJs PAREJA, the two Argentinian daredevils responsible for wrecked floors worldwide, thanks to bold releases on gatekeeper imprints such as Cómeme or Huntleys + Palmers. Their version pairs the original's streamlined vocal with the brutish thump of their other work, sending crowds into a frenzy with the flick of a button. In his revamp, US tracksmith DANNY DAZE teases out a similar amount of propulsion, but finds a different level of cray cray with a break as massive as it is insane. Upcoming Amsterdam hotties WEVAL finalize the package with an irresistibly melodic bassline and epic gauge. Perfect run!

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released May 26, 2014

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Gui Boratto Brazil

Born in São Paulo, Brazil, in 1974, Gui Boratto began working as a producer, audio engineer and multi-instrumentalist in the early '90s. After countless licenses from major international major labels, he started dedicating his time to his own music, stringing together various strands of pop-infused techno and house and translating them into his very own stream of groove consciousness. ... more

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